Hi everybody. It’s time to add a new painting, so take a load of this Industrial Landscape, which I painted in 1997.
Clearly visible is its Van Goghian nature, as he was my first favorite artist.
One of the things I like about Van Gogh was his tendency towards social realism, a topic which he developed during his Dutch period, but abandoned when he became an experimentally oriented painter in France. It still rings through in his landscape painting, though. While most impressionists confined themselves to idyllic and idealized scenes of nature, Van Gogh incorporated elements of the industrializing 19th century society, like in “Canal with Laundry Women, 1888” (I hope I’ve got the title right).
This painting is hardly Van Gogh’s most pleasing work, but it shows his unique pictorial force. With crude technical means he exactly captures the character and feeling of the scene.
Clearly, I was a simple little painter in 1997, but I’m still fond of the way my painting captures the atmosphere of the scene.
In 1997, for me, Van Gogh stood for “divisionism”, a technique which was pioneered by Georges Seurat and consisted of dots of pure colors. The impressionists developed this technique further and during his Parisian period Van Gogh would frantically experiment with divisionism, first in the form of dots, later dashes.
A little further down the line I realized that Van Gogh’s technique was about far more than just brush strokes of pure color. In fact, if you want to paint in the style of Van Gogh, you must make a study of Japanese art, because Van Gogh’s style is in essence his own quirky, ultra-expressionistic fusion of Japanese art and impressionism.